Thursday, March 15, 2018

As the Crow Flies

I read As the Crow Flies as an entry in the Excellence in Graphic Literature Awards, and I have to admit I went into the text with a chip on my shoulder. From the onset, I thought "young girl goes on a wilderness hike with a church group, not going to be my cup of tea." Boy, was I wrong. Much like the theme of this book, which deals with people's preconceived notions of specific experiences and social groups, I felt transformed by the insights and events depicted in its pages. As the Crow Flies is the best kind of book about identity, where it forces you to look outside of yourself and question your thoughts, values, and prejudices in a real manner. It turns out that this book was totally my cup of tea and one of the best graphic novels I have read this year.

The main story in this graphic novel follows 13-year-old Charlie Lamonte, a black, queer child, who attends an all-girl, all-white Christian summer camp. The centerpiece experience of the camp is an extended hike where the counselors teach them about the history of the place in terms of an exceptional band of independent women. Of course, their messages are replete with assumptions about religion, gender, and some race, which Charlie bristles at.

She feels isolated, alone, and often offended, but she comes to look at things somewhat differently over the course of the hike. Some of this change comes from getting to know Sydney, a fellow camper who has issues of her own, but some of it comes from Charlie's reflections while out in the wilderness.

I have to admit that this book, which collects the narrative of an on-going webcomic, started out pretty slowly, but about halfway through it had me hooked and totally engaged. What I like about it is that it tackles many identity issues with candor and sincerity, offering a complex look at them without offering easy or pat solutions. This book maintains a difficult balance between offering experiences that are relatable while also presenting a nuanced take on identity politics. It turns out to be both compelling as a story as well as engaging as inquiry, which I feel is no easy feat. I am very much looking forward to the follow-up book that continues this story/conversation.
As the Crow Flies is the creation of Melanie Gillman, who has been running this webcomic since 2012. It is a celebrated work, nominated for Eisner and Ignatz Awards, and the recipient of a gold medal from the Society of Illustrators. I very much admire the unique artwork in this book, done with color pencils. The characters are very well rendered and expressive, and the scenery and tone are very well suited to this tale. Gillman talks extensively about their work on this webcomic and book in this interview.

All of the reviews I have read of this book have been overwhelmingly positive. In a starred review from the School Library Journal, Mahnaz Dar called it "heartfelt, stimulating, and sure to spark discussion about feminism’s often less than inclusive attitudes toward marginalized groups." Caitlin Rosberg concluded, "It’s a story that embraces the truth of how bad things can be without abandoning kindness, and that’s something comics could use a lot more of." Publishers Weekly also gave it a starred review and called it a "brutally honest and wrenchingly beautiful story of friendship."

As the Crow Flies was partially funded by a Kickstarter campaign and published by Iron Circus Comics. They offer a preview and some more info about it here. It was originally published as a webcomic, which you can read here.

REMINDER: Excellence in Graphic Literature Awards Nominations Livestreamed TODAY

Just a reminder that Excellence in Graphic Literature Awards nominations from Pop Culture Classroom will be streamed live TODAY on KidLit TV at 1PM ET. I hope you can join in the fun!

Saturday, March 10, 2018

Brazen: Rebel Ladies Who Rocked the World

I am a HUGE fan of Pénélope Bagieu's comics. California Dreamin' and Exquisite Corpse were two of my favorite graphic novels in recent years, and I feel that her artwork is ethereal and gorgeous to behold. So when I got the review copy of this book I was very excited to read it. I am pleased not only to report that it did not disappoint, but that I loved this book, and it gets my highest recommendation.

Brazen is a one-person anthology of stories about strong, impactful women from across history and cultures. It is a hefty volume containing 29 mini-biographies that range in length from 2 to 10 pages, via 9 panel grids. One thing I loved about it was that I could read it a few stories at a clip or simply laze over one and then come back to the book later. The stories themselves are condensed, colorfully illustrated, and very substantive. They are also told in a simultaneously respectful and cheeky manner that I found extremely engaging and informative. This book is the best combination of art and education, and I found I learned much from it while also being quite enchanted while reading.
The women profiled range from the well known, like investigative reporter Nellie Bly and Wicked Witch of the West actress Margaret Hamilton, to the more obscure (at least to me) like Giorgina Reid and Angolan Queen Nzinga. What I appreciated, even with the ones I knew something about, was that she included lots of detail about their accomplishments and contributions to society across history. Some folks know that Hedy Lamarr was a famous actress, but they do not know perhaps that she was also an important scientific inventor.

All of the reviews I have read about this book have been glowing, including starred reviews from Publishers Weekly and Kirkus. Rachel Cooke wrote, "This book already feels like a classic, one to be loved by every girl who reads it from now until the end of time." Michael Cavna wrote "that it belongs in most every girl’s — and boy’s — hands by middle school." Rosemary at Mom Read It called it a "a must-add to your collections." Oliver Sava highlighted the lovely representative spread that follows each entry, stating,  "After the waves of information in the preceding strips, these clever, bold illustrations give the reader moments to meditate on what they’ve just read, enriching each individual history."

Brazen was published by First Second, and they have more information and a reading guide for it here.

A review copy was provided by the publisher.

Thursday, March 8, 2018

Excellence in Graphic Literature Awards

I am proud to announce that I am a judge for the inaugural Excellence in Graphic Literature Awards to be presented by Pop Culture Classroom. You can check out the official site here for more information about the organization and its awards.

Please be sure to check back one week from today on March 15 at 1 pm ET when the award nominations will be streamed live on KidLit TV.

I am very excited to share my work on this project as well as some of the excellent books I got to read as part of the judging in the recent future. Please check back to see my reviews in the upcoming days. See you soon!

Monday, March 5, 2018

Lighter Than My Shadow

Have you ever started reading a long book late at night, knowing you should probably go to bed but are so compelled that you read the whole thing? That's what happened to me when I picked up Lighter Than My Shadow. This reissue of a 2013 book just kept me entranced with beautiful, haunting, and often horrific images. I could not stop reading as I saw the multiple cycles of struggle the author went through over the years in relation to eating.
The story unfolds over a long period of time, starting with Katie's early years as a picky eater. She starts hiding food in her room, pretending to have eaten it. By the time she gets to high school, she is anorexic, obsessively counting calories, starving herself at times, exercising compulsively, and pushing herself into academics. Ignoring her own health, she spirals into an unhealthy state that requires withdrawing from school and getting medical and psychological help. Over time, she gets older, starts rebelling against her parents, falls in with a shady alternative healer, and eventually goes to art school. All the while though she is haunted by the specter of her own thoughts and anorexia, which inhibit and trouble her life.
The ways that she depicts her various mental states, the gnawing of hunger in her belly, her disassociation from her body and herself, and the way that she saw herself in the mirror are all marvels of innovative comics storytelling. Her art chops are impressive, and they go very far in expressing the depths of her feelings and misery. And although the book ends on a positive, sweet note, Green does not pretend that the struggle is ever really over and provides no pat ending. She treats her condition with the seriousness and gravity it requires, and this work seems uniquely geared to shed light on a hidden, often shameful situation that affects many people's lives. The world is better for having this book in it.
This book's creator, Katie Green, is a British artist and illustrator. This book began as an art school project but grew into something much larger and took five years to complete.She speaks extensively about her work on this book in this interview.

All the reviews I have read of this book have been glowing. In a starred review from the School Library Journal, Mahnaz Dar wrote that the "straightforward text and vivid imagery combine for a powerful, achingly honest memoir." Dustin Cabeal stated that it was "incredibly impressive both with the writing and visual storytelling." James Smart described it as "gripping, thanks to its honesty and its disjunction between traumatic subject matter and sometimes childlike artwork."

Lighter Than My Shadow was published by Roar in the US. There is much more information and a preview available at the book's official website. Some of the imagery is disturbing, and there is some nudity and sexual abuse, so it is suggested for readers mature enough to deal with such features.

Tuesday, February 20, 2018

Hermes: Tales of the Trickster

This tenth entry in George O'Connor's Olympians series continues an impressive streak of excellent graphic novels. Like the other volumes in this series, it is uniquely crafted to the god's personality, this time with a framing device that runs throughout the book, telling the tale of Argus the many-eyed guardian. Of course, there is a twist at the end, demonstrating just how tricky Hermes is.

There are several other tales told within this book, including the birth of Hermes, his antics against his brother Apollo, the origins of his helmet and staff, the birth of his son Pan, and the final battle against Typhon, the last child of Gaea. That last story is gloriously and horribly depicted, and I get the feeling from this book especially that O'Connor had a blast writing and drawing the whole thing.

Also, There's a great bit about dogs, too. I learned a bunch from this book!
It is meticulously researched, energetically illustrated, and smartly plotted. And like the other volumes in this series, it features lots of notes, drawings, and other interesting back matter after the main narrative. I love these books, and I have mixed feelings about the next two, excited to see them but also sad to know that they will complete the series. Luckily, I have a couple of years to deal with these emotions.

All of the reviews I have read of this book have been glowing. In a starred review from the School Library Journal Mahnaz Dar summed up, "Another stellar addition to graphic novel shelves." Kirkus Reviews also gave it a star and called it "Another crowd-pleasing, compulsively readable entry in this divine series."

Hermes: Tales of the Trickster was published by First Second, and they offer a preview and much more here.

Thursday, February 15, 2018

The Prince and the Dressmaker

The Prince and the Dressmaker is an intriguing twist on the typical fairy tale story. Here, the prince and heir to the throne Sebastian is being pushed by his parents to find a bride and begin settling down for his own time to reign, but he's harboring a secret. He likes to wear dresses, a fact that only a trusted servant knows. At the onset of this book, he discovers the work of a brilliant, edgy dressmaker named Frances, and he hires her to be his secret seamstress.

Frances makes him all kinds of fantastic and glamorous gowns, and he begins to wear them out disguised as the very showy and dramatic Lady Crystallia. He gathers much attention in this venture and becomes a notorious and trend-setting figure. Of course, all of these secrets have a shelf-life, and much of this book deals with the effects and fallout that comes with being secretive and what happens when that facade begins to crumble.
The high points of this book for me are the artwork and the characters. The art is characterized by flowing lines, vibrant colors, emotive expressions, and fun energy. Wang seems to take many cues from animation in her work, and it certainly pops off the page. Sebastian and Frances are vivid and complex, and getting to spend time with them in the pages of this book is wonderful. Their relationship is not simply a working relationship, nor is it a romance really but more like a friendship that develops interesting features. The ending of the book is also not a pat one, which I feel is appropriate.

I have read a few other books by this book's creator Jen Wang, including her debut Koko Be Good and In Real Life. I think her work is excellent, and I am eager to see whatever project she undertakes next. She talks about her work on The Prince and the Dressmaker in this interview.

The reviews I have read about this book have been largely glowing. Publishers Weekly gave it a starred review that concluded, "It’s all but certain to deliver grins, gasps, and some happy tears." Elizabeth Bush wrote, "Readers new, or resistant, to graphic novels will also discover magic here in Wang’s visual storytelling." Princess Weekes gushed that it "is without a doubt one of my favorite things I’ve read so far this year and I’m so excited for everyone to enjoy it." The reviewer at Kirkus Reviews was more reserved, finding much to admire but also feeling that "Sebastian meets acceptance far too easily, particularly for such a public figure in such a conservative age."

The Prince and the Dressmaker was published by First Second, and they offer a review and more here.

A preview copy of the book was provided by the publisher.